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Affiliation(s)

University of Chinese Academy of Social Science, Beijing, China

ABSTRACT

Since the publication of The Black Atlantic: Modernity and Double Consciousness (1993), the concept of the “Black Atlantic” has become a key paradigm in diaspora studies and cultural criticism. The “Black Atlantic” challenges the historical dominance of Western-centered Atlantic history by situating slavery, forced migration, and diasporic intellectual production as central components of modernity itself. This essay re-examines the meaning of the “Black Atlantic” by situating it against Eurocentric Atlantic history, exploring its philosophical dialogue with modernity, interrogating its relationship with Marxism, and reassessing its significance in the context of globalization. In doing so, it seeks to clarify both the transformative power and the limitations of Gilroy’s paradigm while also suggesting directions for future scholarship that reconnect the “Black Atlantic” to Africa, Marxism, and anti-capitalist critique.

KEYWORDS

“the Black Atlantic”, Marxism, anti-capitalism

Cite this paper

Journal of Literature and Art Studies, September 2025, Vol. 15, No. 9, 707-712

References

Bailyn, B. (2005). Atlantic history: Concept and contours. USA: Harvard University Press.

Bruneau, M. (2010). Diasporas, transnational spaces and communities. In R. Baubock and T. Faist (Eds.): Diaspora and transnationalism concepts, theories and methods. Amsterdam: Amsterdam University Press.

Gilroy, P. (1993). The Black Atlantic: Modernity and double consciousness. London and New York: Verso.

Lazarus, N. (1995). Is a counterculture of modernity a theory of modernity? Diaspora: A Journal of Transnational Studies.

Thompson, R. F. (1983). Flash of the spirit: African and Afro-American art and philosophy. New York: Random House.

本尼迪克特·安德森. (2018). 《椰壳碗外的人生》. 徐德林译. 上海: 上海人民出版社.

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