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Affiliation(s)

School of Foreign Languages, Southwest Jiaotong University, Chengdu, China

ABSTRACT

This paper examines Hernán Díaz’s novel Trust (2022) through the lens of cultural deconstruction, analyzing how its four nested narratives systematically dismantle the American Dream ideology. The novel Bonds and autobiography My Life collaboratively construct a financial myth portraying protagonist Andrew Bevel as an exemplar of self-made success. Subsequently, Ida’s Memoir exposes the subjective construction of history, declaring the American Dream’s bankruptcy at the epistemological level, while Mildred’s diary Futures deconstructs the myth from within by revealing that Bevel’s financial genius was built upon appropriation of his wife’s intellectual labor. This paper argues that Trust reveals the American Dream as an ideological illusion—narratively constructed, practically dependent on structural injustice, and essentially serving power reproduction.

KEYWORDS

American Dream, Trust, Hernán Díaz, narrative deconstruction

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References

Adams, J. T. (1931). The Epic of America. Boston: Little, Brown and Company.

Cai, H. (2023). Ideal or reality: Analyzing the “American Dream”. The Journal of International Studies, 44(2), 60-84.

Cohen, L. (2003). A consumers’ republic: The politics of mass consumption in postwar America. New York: Alfred A. Knopf.

Díaz, H. (2022). Trust. New York: Riverhead Books.

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